"We wanted someone who has a new eye and was as hungry to produce something as original as we are. It is an original screenplay I wrote with the intention of making it my directorial debut. the movie is based on that story, but is quite a distance from "The story is based on a novella, The Hellbound Heart. (i) the Washington Post, 1987 (ii) Clive Barker's Shadows In Eden (EDITED) Real performers - and then I'm murdering them!" "I'm not just taking the twelve most beautiful youths inĬalifornia and murdering them, I've got real actors, The idea that a point of view can be made by the dark Their case, is perverse - because I want to hear theĭevil speak. To deny the creaturesĪs individuals the right to speak, to actually state It is always concrete, always particular and always vested in individuals. In a very boring way, abstractions of evil. That's why in stalk and slash films I feel that half Monsters in movies have to say for themselves is everyīit as interesting as what the human beings have to say.
His ambitions and desires because I think what the Wanted Frank to be able to stand around and talk about Wanted Frank to be able to do was have dialogue scenes,Įven romantic scenes that play between him and Julia. "Generally the monsters don't talkĪbout their condition - about being a monster. Someone to come.įRANK : There are ways to resurrection. Watching the world, but never able to touch it. But they left my spirit here, in the boards. When Frank speaks again his voice is heavy with suppressed feeling.įRANK : I gave my body to them. But the images in the box continue to play one horror after another. And flowing between these atrocities, the Cenobites' faces, and that of Frank, screaming and screaming -įRANK : But their pleasure was my pain. Wounds and scalpels flesh torn open, revealing pulsing organs. The images in the lacquer are becoming clearer, and they are appalling. They gave me experiences I would never forget. What are we seeing? Some elaborate coupling, maybe? Or terrible torture? Impossible to be sure.įRANK : Oh no. Julia looks nevertheless, trying to work out what she's seeing.įRANK : - the highest reaches of sensuality.
We can see the faces of the Cenobites moving in the lacquer but they are tantalizingly blurred and distorted. I wanted access to experiences only they could offer. Pale, barely recognizable forms move in the shiny lacquer of its surfaces.įRANK : I wanted pleasure, you see.
It cost me a small fortune -įRANK : The man I bought it from told me it was a way to invoke powers. I bought it in Singapore after I left here.
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